Modes of Harmonic Minor
Lesson 4 of 8

Dorian #4

Dorian #4 (Dorian #11) is what happens when you take the warm, soulful sound of Dorian and crack it open with a raised 4th. That one note changes everything -- suddenly there is an augmented 2nd lurking between the b3 and #4, and the brightness cuts through the minor darkness like a shaft of light.

Scale Formula

1 2 b3 #4 5 6 b7 - Dorian with raised 4th. Semitone pattern: W H WH H W H W

Fretboard (C Dorian #4)

Toggle to interval view and locate the #4. It is the only note that differs from standard Dorian, but it introduces an augmented 2nd between b3 and #4.

F
C
G
D
A
E
3
5
7
9
12
15
17
19
22

Common Chords

Minor triad (1 b3 5), Minor 7th (1 b3 5 b7), Minor 7th #11 (1 b3 5 b7 #11).

Diatonic Harmony

Key:
i
CCm
II
DD M
bIII
D#D# M
#iv°
F#F#dim
v
GGm
vi°
AAdim
bVII+
A#A#aug
F
C
G
D
A
E

Improvisation Context

Play over minor 7th chords when you want something more mysterious than standard Dorian. Lean into the #4 - it is the note that pulls listeners in, creating tension against the minor 3rd before the 5th resolves it.

Practice

Put on a Cm7 drone and play through this scale slowly. Now switch to regular C Dorian and back. Hear that? The only difference is F# versus F, but that one semitone opens up an augmented 2nd between Eb and F# - the same interval that gives harmonic minor its unexpected shimmer. Try lingering on that F# and letting it hang against the minor tonality. Then resolve to the 5th. Notice how the natural 6 (A) still keeps things grounded - you get the harmonic minor tension without losing Dorian warmth.

Interactive Practice

Key:
F
C
G
D
A
E
3
5
7
9
12
15
17
19
22