Modes of the Major Scale
Lesson 2 of 8

Dorian

The Dorian mode is a minor scale with a natural 6th. It has a jazzy, funky, soulful quality - darker than major but brighter than natural minor. One of the most commonly used modes in jazz, funk, and blues.

Scale Formula

1 2 b3 4 5 6 b7 - minor with natural 6. Semitone pattern: W H W W W H W

Fretboard (C Dorian)

Toggle to interval view to spot the natural 6 - it is the one note that separates Dorian from Aeolian (natural minor). Find it relative to the root on each string pair.

F
C
G
D
A
E
3
5
7
9
12
15
17
19
22

Common Chords

Minor triad (1 b3 5), Minor 7th (1 b3 5 b7), Minor 6th (1 b3 5 6), Minor 9th (1 b3 5 b7 9).

Diatonic Harmony

Key:
i
CCm
ii
DDm
bIII
D#D# M
IV
FF M
v
GGm
vi°
AAdim
bVII
A#A# M
F
C
G
D
A
E

Improvisation Context

Play over minor 7th chords, especially when they function as a ii chord. The natural 6 is the characteristic note that distinguishes Dorian from Aeolian.

Characteristic Note

The natural 6th is what makes Dorian brighter than Aeolian. It sits 4 frets up on the next string from the root (a major 6th = 9 semitones). Emphasize it in your lines to bring out the Dorian color - it is the note that gives funk and soul vamps their signature warmth over minor chords.

Practice

Play C Dorian against a Cm7 drone. Then play C Aeolian (natural minor) over the same drone and listen for the difference - the single note change (A vs Ab) shifts the entire mood. Improvise phrases that emphasize the 6th, landing on it as a target note. Try a classic Dorian vamp: Cm7 to Dm7 (i to ii in C Dorian).

Interactive Practice

Key:
F
C
G
D
A
E
3
5
7
9
12
15
17
19
22